Quorra

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Tunage: Where did the name Quorra come from?

Well, when we first started this band, we wanted a not-so-typical name, so we wanted something unique and with meaning as well. We came across the name Quorra from the movie Tron: Legacy, and then while still looking for a name, we were drawn to Quorra and its meaning, which is simply "heart."


Tunage: How did you all decide that you wanted to play this kind of music and how would you describe your music?

 We decided to play this genre of music because we were drawn to the aggressiveness and the genuine emotion found within the vast hardcore scene. Numerous bands that we draw influence from are very passionate in their music and you can feel that energy and emotion in their live shows as well as their recordings and that's what inspires us. We don't want to put on a boring show, nor do we want to put out music that doesn't have our entire heart put into it. To describe our music, although we try to contain the same characteristics that define our genre, we also put our entire heart into every single aspect of our writing processes, thus including our artistic and individual appeal to make our music that much more meaningful. 

Tunage: Do you all believe that you have something special to bring to your genre of music?

Being in the same genre where there is a flood of bands who choose to write what appeals to the crowd rather than what they want to play themselves, the genre eventually becomes desaturated from individuality and unique appeal. We all bring our own influences and ideals to the table, thus bringing a wide range of ideas and creativity to our band. Although we are playing in a genre where heart and emotion are overshadowed by constant breakdowns and and meaningless lyrics, we are simply making music where we find passion and solidarity. 


 

Gaffer: Good Ol' Rock & Roll

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Gaffer gaf·fer (gfr)
n.

1. An electrician in charge of lighting on a movie or television set.

2. Chiefly British An old man or a rustic.

3. Chiefly British A boss or foreman.

          In our case, The Gaffer is a four piece San Diego band that consists of high school buddies just doing what they love to do, play music. I was honored to have been a guest at their most recent show on May 26th at The Griffin and can honestly say I truly enjoyed myself, the music, and the people. I met with The Gaffer before the show and was thrilled to do a live interview with three of the four members, Martin Coughlin, singer/songwriter, guitarist, and keyboardist; Dave O’Reily, lead guitarist and background vocals; and the bassist, Scott Mitchell. 



T: On behalf of Tunage Magazine, Thank you so much for taking the time before your show to do an interview with me. It really is very much appreciated. Can you tell me a little bit about yourselves? Who do you sound like?

Martin: I think the sound is a little bit of a mix between Zeppelin and Oasis

T: Who are some of your influences?

Dave: My influences range anywhere from Led Zeppelin to Pink Floyd to Bad Religion

Scott: I like Iron Maiden

 

KILLING THE MESSENGER.

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          It's a Saturday night at Soma and The Big Show is happening. All kinds of local hardcore bands are on the lineup and the mainstage is filled with eager fans. Killing the Messenger is standing with me outside before their set, ready to go play after this next band is done. Killing the Messenger is a five-piece metalcore band from good ol' San Diego, California. Their Facebook fan page has reached over 3,000 likes from kids in SD and beyond. There are so many kids waiting inside the venue who are stoked for their set. I got to catch up with Ahren Leepier and Willie Malpica before their big performance.


Three Hundredth - Killing The Messenger
Tunage: So, what do you guys do and what are your names?

Ahren: My name is Ahren, I'm vocals.
Willie: I'm Willie, I'm drums.

T: Nice to know! So you guys are going to play next, right?

Ahren: Yeah, we're after this next band.


 

Oh, Guardian

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Metal and fun can go hand-in-hand when done right. Bands like these are hard to find, but Tunage got lucky to discover a local metalcore band named Oh, Guardian. The band has been around for a little over a year now and has made appearances at big shows in the SD area as well as in Arizona and Nevada.

Oh, Guardian is made up of six guys: Jimmy DeBerg doing vocals, Jordan Garza on bass and vocals, Zack Harrison playing keys, Garrett Halvax on drums, and Justin and Angel on guitars. The guys in this band are former members of bands such as For the Legends and To Build an Empire, former local bands that played shows around the SD area.

Tunage got to catch up with Jimmy and Jordan of OG to discuss the band, the shows, and of course, the music.




 

Jesus Christ vs. the World
(WARNING: May be explicit and offensive)

Get ready to be offended… or not.  

          Jesus Christ vs. the World, yes you read that right, is a three piece San Diego based grindcore band that’s ready to be in your face and have you hate them… Or love them.  You can see them play all over San Diego offending those who want to be offended.
T: How long has JCVTW been together?
Moses: Sexually or as a band?
Jesus: Too Long.
Christ: I assume band, so I shall answer that. Since 2007, I’m not exactly sure when. It was a much less lucid and a more hazy time.

 

Skinwalker

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          Imagine being only eighteen years old in a DIY band, playing in another band with other dudes, AND owning an ever-growing clothing line. This is the life of Alexander Ho, the man behind Skinwalker, and  an avid fan of Arizona Iced Tea and partying with the undead. The music for Skinwalker is created by Alex himself, playing guitar, drums, and even singing as well. He's also the owner of GhostWar clothing which has acquired almost 4,000 likes on Facebook. I bet you're thinking what I'm thinking... how the hell does he do all of this?



 

Davis Fetter and the Matters of Euphoria

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          Davis Fetter is a rock 'n roll artist that has both a beautiful and optimistic outlook on life and living life to music. His influences run deep with the roots of rock music (from Chuck Berry to Kurt Cobain) forming his unique sound. You can quickly see and hear his influences in his style, his lyrics with dark undertones, and his Little Richard-esque screeches. If you like The Smiths, you'll like this guy. Davis has the drive to reach people with his music, and you can tell right off the bat that he puts his heart and soul in each of his songs. Each of his singles have been inspired by personal experiences and scars that everyone can relate to and want to hear about. This is the kind of passion that separates the men from the boys in our music world. Davis Fetter has released five singles and has more on the way in the month of May along with a music video. We had the chance to catch up with Davis Fetter and to get to know him both as a talented musician and a brilliant person. 

L.O.V.E.


 

Lady of Jazz: Teagan Taylor Trio

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Photo Credits: Charles Mancini
          Know who Teagan Taylor is? Well you’re about to! She’s  an extremely vibrant 20 year-old San Diego State Women’s Study Major and Jazz Minor from Imperial Beach with a voice that is as smooth and full bodied like a perfect glass of merlot that will only ripen with age. Her voice is a cross between Etta James and Norah Jones. Teagan’s schedule is always full with gigs and school, so I was honored that she took some time to hang out with me to talk a bit about her life as a student, musician, her band The Teagan Taylor Trio and her newest album Wonderland. Her band has been heard during the George Vargas Jazz 88.3, had shows at Humphrey’s, San Diego Padres Home Plate club. You can also see her play with the San Diego State Big Band and Jazz Combo #1.


Aftertaste - Teagan Taylor Trio


 
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Photo by Dennis Andersen
          Who is Reverend Stickman? He’s a self taught guitarist, singer, and songwriter with a story to tell. His riffs will melt your face off and move you into a whole new world of music. He’s quite the traveling man, having been born in Denver, Colorado and eventually leaping thousands of miles and an ocean to move to Germany with his family in 1976 and returning in 1979 to North Carolina. At age 16 he decided he needed adventure and hitchhiked from North Carolina the Flagstaff, Az. In 1984 he moved to Seattle, WA for several years before returning to North Carolina in 1997. In 2002, he once again made his way across the country to end up here in beautiful San Diego.

          I first heard Reverend Stickman’s wailing guitar riffs in 2003. At the time he was playing with cover band Point Blank going by the name Stickman. Reverend Stickman has been a featured artist in the San Diego Reader on more than one occasion, is sponsored by Taylor Guitars, and has been nominated three times at the San Diego Music Awards. He can be heard during The Homegrown Hour with Cathryn Beeks on 102.1 KPRI, during the Local Hour on FM 94.9, and occasionally on NPR.  He also won Best song of 2011 from San Diego Song Writer’s Guild for his song “Drinkin Bout Tomorrow”. I asked The Rev. (as people in the scene call him) some questions about his time as a musician, his new album which will be released in summer 2012 and of course the origin of his name.    

Time Machine - Reverend Stickman

 
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            We got a chance to catch up with Nico Rivers, a folk solo singer and songwriter who brings his roots from the Northeast to Los Angeles, where he’s currently brewing up his upcoming debut solo EP, Thicker Than Water.  Expect to hear personal and raw music recorded at home with a few guitars and a kick drum that’ll take you to the northeast sandpits, throwing molotovs at wrecked car whilst enjoying a bottle of whiskey. We had a chance to pull at Nico River’s heartstrings as we talked about where his sound comes from.

Tunage: You’ve traveled a lot as a songwriter and solo artist, how has that affected your work?

Nico Rivers: Well, I’ve seen a lot throughout America, I haven’t been out of the country yet. But, I’ve pulled influence from all over the place, from New Orleans streets to places like Native American ruins in New Mexico mountains, all the way up to Montana, and all that stuff is influential when it comes to writing my music. A lot of the scenery that I depict in my songs, the bayous, the mountains have all played a huge role.

T: Tell us a crazy story you’ve experienced in your travels.

NR: One time, my brother and I when we were in Longview, Texas, we were staying in this hotel room and we had all our gear in the car and we took our guitars inside. We got a phone call at 4 in the morning, so I hopped up and said hello, and no one said anything so I hung up. I thought it was strange, but I went back to sleep thinking someone probably just had the wrong number. About two minutes someone just pounded on our door. We had my brother’s dog with us, she’s a Boxer Pitbull, and she just hopped up and started barking. I jumped out of bed to see through the peephole to see who was there, but by the time I even got to the door there was a car in the parking lot just pulling out and speeding away. So we probably dodged a bullet there, who knows.

T: What part of the U.S. is your favorite place to perform and why?

NR: Anywhere that has a real stage. You know, it’s hard to pick a favorite place. One thing I’ve always loved about the Northeast (I grew up there) is that there’s this real authentic folk scene going on in the Northeast. While working at a radio station in Boston, I was lucky enough to experience a lot of it first hand, recording a lot of great acts coming through. Growing up with that, that’s always been so influential for me, and it’s always a blast to play in your hometown. Playing in Boston in particular, I love the whole Northeast in general.